BIG CYPRESS GALLERY 2 © 1992
Big Cypress Gallery

Big Cypress Gallery 2
When I stopped at “Orchid Isle” to photograph this pond a wild man came running out of the house shooting his gun in the air, yelling for me to get off his property! Needless to say, I didn’t take the picture! It wasn’t until many years later when I purchased “Orchid Isles” and built our gallery, Big Cypress Gallery, that I was able to take this picture. This is the pond in front of our gallery. Bald Cypress The bald cypress of these endangered wetlands stands as a monument to endurance and fortitude. This lumber, prized in the mid-twentieth century for rot-resistant wood, was harvested by loggers who removed almost all of the old-growth bald cypress trees. With a loss of its protective canopy, swamp regions struggled to support the once-abundant variety of tropical ferns, orchids, and bromeliads. Under today’s protections of state and national preserves, the cypress giants are making a comeback. Their positive effect on the Everglades’ environment is evident by the returning wildlife and plants drawn to the refuge the trees offer. Big Cypress Gallery 2 was taken with a Deardorff 8×10 camera on Tri-X film.  This photograph is hand-printed in Clyde’s darkroom on fiber-based paper, selenium toned, then mounted and matted to current archival standards. The photograph is a limited edition and signed by Clyde. Camera settings f/32 | 150mm Schneider Super-Symmar XL lens | 1/4 second Disclaimer – Cropping, contrast, and image density may vary. To learn more about the darkroom printing process, click here.

To begin ordering and to view prices select an image size or you may call us at (941) 486-0811:

Image Size:
Matted:
Professionally mounted and matted to current archival standards using 4 ply acid free bright white mat board and foam core.
Standard Framed:
Framed with Plaskolite OPTIX acrylic, which is crystal clear, lightweight, and shatter-resistant for added protection in a black aluminum Nielsen frame. Mounted and matted to current archival standards using 4-ply acid-free bright white mat board and foam core.
Museum Framed:
Framed with Tru-Vue Optium Museum Acrylic which blocks 99% of UV rays, is anti-reflective, scratch-resistant and shatter-proof for ultimate longevity in a black aluminum Nielsen frame. Mounted and matted to current archival standards using 4-ply acid-free bright white mat board and foam core.
6" x 6" [Edition of 150]
14" x 16"
15.25" x 17.25"
15.25" x 17.25"
9" x 9" [Edition of 100]
16" x 20"
17.25" x 21.25"
17.25" x 21.25"
13" x 13" [Edition of 75]
22" x 24"
23.25" x 25.25"
23.25" x 25.25"
17" x 17" [Edition of 75]
26" x 26"
27.25" x 27.25"
27.25" x 27.25"
27" x 27" [Edition of 50]
36" x 36"
37.25" x 37.25"
37.25" x 37.25"
37" x 37" [Edition of 50]
46" x 60"
49.25" x 63.25"
49.25" x 63.25"
Due to your photograph being an over-sized package we will contact you in the next 48 hours with the shipping total if you decide to order this.
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