ROCK ISLAND PRAIRIE © 1987
Western Everglades

Rock Island Prairie
I had spent the day photographing deep in the Everglades with my friend, Oscar Thompson. As the day grew late, I saw the sky develop into an extraordinary cloud pattern, and I knew I’d have to make a choice. I could safely leave the Everglades while there was still light, or stay and take the photo. I chose the photograph. As the sun fell behind the horizon and the land shifted to pitch black, the swamp came alive with the sounds of nocturnal animals and insects. I was very grateful to be with Oscar, a fifth-generation Floridian, who was familiar with this daunting land. Everglades at Night The Everglades at night is an active, noisy, and somewhat intimidating place. As the sun sets and the bulk of wading birds retreat to rookeries for the night, the air becomes filled with different sounds. Night herons begin to bark their call and take their place along the water’s edge, hunting for amphibians, like the amphiuma and siren (eel-like salamanders). Biting insects such as the “no-see-um” and mosquito become more prevalent as predators, such as birds and dragonflies, retire for the night. Not only are the sounds different at night in the Everglades, but it also smells different. Night-blooming flowers emit a delicate fragrance to lure nocturnal pollinators such as moths and bats, and the ghost orchid attracts its only pollinator, the nocturnal giant sphinx moth, with its unique aroma. Rock Island Prairie was taken with a Deardorff 8×10 camera on Tri-X film. This photograph is hand-printed in Clyde’s darkroom on fiber-based paper, selenium toned, then mounted and matted to current archival standards. The photograph is a limited edition and signed by Clyde. Camera settings f/45 | 121mm Schneider Super-Angulon lens | orange filter | 1 second. Disclaimer – Cropping, contrast, and image density may vary. To learn more about the darkroom printing process, click here.

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Matted:
Professionally mounted and matted to current archival standards using 4 ply acid free bright white mat board and foam core.
Standard Framed:
Framed with Plaskolite OPTIX acrylic, which is crystal clear, lightweight, and shatter-resistant for added protection in a black aluminum Nielsen frame. Mounted and matted to current archival standards using 4-ply acid-free bright white mat board and foam core.
Museum Framed:
Framed with Tru-Vue Optium Museum Acrylic which blocks 99% of UV rays, is anti-reflective, scratch-resistant and shatter-proof for ultimate longevity in a black aluminum Nielsen frame. Mounted and matted to current archival standards using 4-ply acid-free bright white mat board and foam core.
6" x 9" [Edition of 150]
14" x 16"
15.25" x 17.25"
15.25" x 17.25"
9" x 12" [Edition of 100]
16" x 20"
17.25" x 21.25"
17.25" x 21.25"
13" x 18" [Edition of 75]
22" x 26"
23.25" x 27.25"
23.25" x 27.25"
17" x 22" [Edition of 75]
26" x 30"
27.25" x 31.25"
27.25" x 31.25"
27" x 37" [Edition of 50]
36" x 46"
37.25" x 47.25"
37.25" x 47.25"
37" x 51" [Edition of 50]
46" x 60"
49.25" x 63.25"
49.25" x 63.25"
40" x 64" [Edition of 25]
48" x 72"
51.25" x 75.25"
51.25" x 75.25"
52" x 100" [Edition of 15]
60" x 100"
63.25" x 103.25"
63.25" x 103.25"
Due to your photograph being an over-sized package we will contact you in the next 48 hours with the shipping total if you decide to order this.
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